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Old 28 March 2010, 16:11   #21
Amiga1992
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Originally Posted by Hungry Horace View Post
they sound good, but very different to the live performance. The website statement is "technically" correct, but misleading.
That's fundamentalist nitpicking, the assortment of effects is not excessively used, it's just as much as anyone would use it in a live performance. The music itself is fucking well produced and he makes some of the best sounding mods I have heard.
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Old 28 March 2010, 16:54   #22
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That's fundamentalist nitpicking, the assortment of effects is not excessively used, it's just as much as anyone would use it in a live performance. The music itself is fucking well produced and he makes some of the best sounding mods I have heard.

i dont believe it's nitpicking at all. The effects ARE extensively used throughout the live performance - if you cant hear (or even see) that, then I think you are only fooling yourself. I've managed to DJ for many years without the need to use effects that much, so it is a lie to say "as much as anyone would use it in a live performance." - something like that is totally dependent on the individual performer.

I never questioned the quality of the music writing, so I dont see why you feel the need to use expletives in order to make your point Akira. I agree, it's very good - but the effects used are a massive part of the videos being highlighted in the original post of this thread.

Last edited by Hungry Horace; 28 March 2010 at 17:01.
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Old 28 March 2010, 16:59   #23
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I didn't like it, far prefer anything that Orbital did, such as the 80's remix of Halcyon + On + On. If you're going to do sampled stuff, make it interesting.

Aphex Twin would be far more dangerous on an A500 too.
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Old 29 March 2010, 08:35   #24
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First off, that's not a 512kB A500. It's an A1200, which means 2MB or even more. And these are huge sound samples (many of them are probably up to the max 64kB protracker limit), I really doubt they all fit in 512kB....

And he use an advanced mixer with sweep effects and stuff, there's no way you get this sound from a pure A500. Well you can, but the bass and stuff won't be that deep and good. Guess what makes them do that? The mixer he use.. The description in the video is lying and misleading. Amiga 500 sure sounds good for its time, but trying to squeeze it in the new generation that it 'can do this amazing club sound' is very wrong.

Nevertheless, I've heard some of his MODs on my Amiga though, he's pretty good at making house music.
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Old 29 March 2010, 10:58   #25
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Yes, he uses filtersweeps and glitches every now and then. however, I find it quite unique that some people think the Youtube movies have better soundquality than a native A500/A1200 Keep in mind that the Amiga's and mixer are hooked up to a loud PA system in those movies and with the right EQ adjustment, deep loud basses are not a problem from a native Amiga. On top of that, Ctrix uses monochannels on the mixer, all panned centered, thus eliminating the left/right problem.

And why is the description misleading and lying? Here's an excerpt from it:

"just the built in outputs being mixed externally by a DJ mixer. The entire set (much more than just this tune!) easily fits on 4 x 880k floppy disks.
The music is playing out of Protracker 2.1a booted from a floppy with a striped down operating system in order to get enough RAM to play the tunes."

He already mentioned that the soundsource is Amiga, **being mixed externally by a DJ mixer**. That's not lying. That's admitting that the soundsource passes DSP.

More info on how he achieves such 'his' sound can be found here:
http://www.syntaxparty.org/ctrix/
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Old 29 March 2010, 11:04   #26
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Originally Posted by onkelarie
however, I find it quite unique that some people think the Youtube movies have better soundquality than a native A500/A1200
No offense, but that's fact in many situations. MODs are often 8kHz 8 bit samples upsampled with no interpolation. And it doesn't sound better when the final output channels are panned 100% left/right. It's like screaming out how raw the sound is. Youtube is aprox. 96-128kbit 44kHz 16 bit, imagine how much nicer sounds you can put in that. And if you're one of the bias-based guys that thinks 128kbit is bad no-matter what, then it's reverse-placebo (or something like that). 128kbit can sound very nice, but a jump up to 192kbit is noticable in many cases. More than that is often hard to notice for the average person.

I'm not an anti-paula guy, I'm just an Amigan while I also can comprehend that paula isn't a special chip anymore. It can sound nice if you do 28kHz 14 bit software mixing, but that's not interesting. It's like having a cheap sound card.. The raw sound is more interesting imo, and it's way more common on the Amiga. Protracker does hardware mixing in 8 bit 22-28kHz.

Paula + Equalizers and mixers != native Amiga sound. Well it kind of is, but you get what I mean.
Try to sample a non-chip (not sinus, but a more advanced sample) bass sound in protracker on an A500 and connect it to a PA system and crank up the volume. You'll get a noisy and distorted bass sound.

Last edited by 8bitbubsy; 29 March 2010 at 11:13.
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Old 29 March 2010, 12:17   #27
onkelarie
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Originally Posted by 8bitbubsy View Post
No offense, but that's fact in many situations. MODs are often 8kHz 8 bit samples upsampled with no interpolation. And it doesn't sound better when the final output channels are panned 100% left/right. It's like screaming out how raw the sound is. Youtube is aprox. 96-128kbit 44kHz 16 bit, imagine how much nicer sounds you can put in that. And if you're one of the bias-based guys that thinks 128kbit is bad no-matter what, then it's reverse-placebo (or something like that). 128kbit can sound very nice, but a jump up to 192kbit is noticable in many cases. More than that is often hard to notice for the average person.

I'm not an anti-paula guy, I'm just an Amigan while I also can comprehend that paula isn't a special chip anymore. It can sound nice if you do 28kHz 14 bit software mixing, but that's not interesting. It's like having a cheap sound card.. The raw sound is more interesting imo, and it's way more common on the Amiga. Protracker does hardware mixing in 8 bit 22-28kHz.

Paula + Equalizers and mixers != native Amiga sound. Well it kind of is, but you get what I mean.
Try to sample a non-chip (not sinus, but a more advanced sample) bass sound in protracker on an A500 and connect it to a PA system and crank up the volume. You'll get a noisy and distorted bass sound.
No offence taken and thank you for pointing out all the bitrates and such, but I'm aware of those, I'm a professional musician and own a studio for +20 years

But the point I tried to make is that Youtube movies don't always contain studio quality sound. In this case, someone just taped the lot with a mic and thus ending up in a Youtube movie. You can slap any bitrate on it you want in that case, the bottleneck is the recorder in this case (probably a mobile phone or something).

It's just friggin' awesome he uses Protracker as his native sequencer, making us all proud we share that same passion: the Amiga.
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Old 29 March 2010, 14:33   #28
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Then as a professional musician know your sayings.
"some people think the Youtube movies have better soundquality than a native A500/A1200" is a rubbish statement, because many many youtube videos does have sound captured from either a good mic, or from a song (studio).

Enough of this tho', I just found the statement irritating.
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Old 29 March 2010, 14:35   #29
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I've thrown three of my own tracks in The Zone, two made with Amiga 2000 and Sound Studio 1.03C, the other is recent and made using FL Studio.
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Old 29 March 2010, 15:30   #30
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Originally Posted by 8bitbubsy View Post
First off, that's not a 512kB A500. It's an A1200, which means 2MB or even more.
The A500 is to his right hand side. But yep there is also a 1200 there.
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Old 29 March 2010, 16:04   #31
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The A500 is to his right hand side. But yep there is also a 1200 there.
I didn't see that one... I guess it's because my eyes spots a fresh A1200 within a second!
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Old 29 March 2010, 16:12   #32
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I've thrown three of my own tracks in The Zone, two made with Amiga 2000 and Sound Studio 1.03C, the other is recent and made using FL Studio.
Nice ambient tracks you have there Really nice sound on the two Sound Studio ones
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Old 29 March 2010, 16:15   #33
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I didn't see that one... I guess it's because my eyes spots a fresh A1200 within a second!
I thought the same as you first! But the 500 is slightly off camera
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Old 29 March 2010, 19:52   #34
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Enough of this tho', I just found the statement irritating.
How dare he state that some people think something that may or may not be true!!!

Too much caffeine?

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Old 30 March 2010, 03:28   #35
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Nice ambient tracks you have there Really nice sound on the two Sound Studio ones
Thankyou very much, they are by now very old, from around 1992 - 1995
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Old 03 April 2010, 14:24   #36
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It looks more like one of the new Behringer mixers than a DJM800, just to correct what was said above. Loaded with effects. But just to pick up Horace a little, there wasn't that many effects used. Mainly the ubiquitous filtering, which become so popular with DJs when Allen & Heath decided to give DJs a filter knob on the Xone 62. Overused.

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I've managed to DJ for many years without the need to use effects that much, so it is a lie to say "as much as anyone would use it in a live performance." - something like that is totally dependent on the individual performer.
Agreed. I'm never one for filtering when DJing. Creative EQ use has always been the way to do it. A lot of DJs cheated when effects become available, allowing them to blend 2 tunes easier with a simple delay as you take the crossfader over to the next tune. It can be used creatively but more often than not used to cover up shoddy mixing. I've always kept it simple, 2 or 3 decks, EQ and tunes.

Delays are used alot in that vid, with a smattering of other effects near the end. Not a bad tune, not my cuppa though. Essentially just dancing around to his own tune on a sequencer with the odd twiddle of EQ and effects.
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Old 03 April 2010, 14:49   #37
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I should say though, really nice to see the Amiga still being used in live performances. So absolutely fair play to this guy for doing it. Takes real commitment, or just not working ever to have the time & commitment to use the Amiga over other newer studio equipment. Being a bit of a music equipment & software whore I really couldn't work on the Amiga again.
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Old 03 April 2010, 15:33   #38
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No offense, but that's fact in many situations. MODs are often 8kHz 8 bit samples upsampled with no interpolation
Upsampling is a necessary evil when outputting at a sample rate matching that of the audio source is not possible. You gain absolutely nothing by upsampling, plus, proper interpolation in these cases is not intended to "enhance" the original sound but to make it seem like it wasn't being upsampled.
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Old 04 April 2010, 00:27   #39
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Personally I don't care if he using external hardware or not, everybody does even in "modern" lives with laptops so it would be perfectly expected.

What I don't like is that everything is pre-arranged. He is mixing ready songs, not doing a live. he nearly never touches the Amigas for skipping blocks or muting tracks, only acts the mixer (and even never looks at the monitor!). He could have done exactly the same things by recording the two Amiga's outputs onto two CDrs and using two CDJs decks.

Nice vibe, anyway, and surely nicely produced sounds!
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Old 04 April 2010, 01:37   #40
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Personally I don't care if he using external hardware or not, everybody does even in "modern" lives with laptops so it would be perfectly expected.
no one is debating that.

just dont go claiming its "all amiga" when it clearly isnt.

wilshy - perhaps i was unclear, when i said it was effects heavy, i wasnt trying to state that 101 different effects were used, just that there is generally effects used throughout. (i dont agree with you though that it is "the odd twiddle of EQ and effects." - it is more than that to achieve this kind of result, you even highlighted it yourself in talking about the use of delays. you arent the only qualified muso here you know - i too have worked on professional productions )

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He could have done exactly the same things by recording the two Amiga's outputs onto two CDrs and using two CDJs decks.
agreed, but it is still nice that it was original hardware being used for playback!
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