Quote:
Originally Posted by no9
I would love if there was real-life examples attached.
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Yes, I was thinking about that too. I will probably create some examples when the write-up is complete.
For now I can link to this 14-bit example, which I did quickly with the sole purpose of testing the 14-bit trick. Try turning on/off channel 3 to hear the difference between the 8-bit and 14-bit bass. (Channel 3 adds the extra 6 bits).
https://indiegamemusic.com/diskspace...ck%2014bit.mod
Quote:
Originally Posted by no9
Actually it is funny, because I tried this "pair of phase inverted samples" to get some kind of filtering illusion just a couple of days ago but I wasn't to satisfied with the results. And in 4ch. mods it is just a waste of myyy precioussss voicessss...
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It's true that you need to "sacrifice" an extra channel as long as you apply the effect - but that's exactly why you do the inversion of the sample. Because that way you can fade-in a sample by applying the filter - and then free up the channel when the fade-in is done.
Example here in the beginning of this track:
https://indiegamemusic.com/diskspace...Unshackled.mod
Notice channel 2 and 3 applies a lowpass filter. Then at pattern 4, the fade-in is complete, so I no longer need to use channel 3 for that.