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The advantage, as far I’ve understood it, is that you can port your music to different sound routines instead of being locked into a single one, which works rather well for a sample based machine like the Amiga but is a limitation on a »chip music« sound chip like the SID or the YM2051 where new effects and sounds are invented continuously by making up new routines.
That, and the fact that you can create macros to do what would be a lot of manually punched-in effects in a tracker.
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